NEW YORK (AP) 鈥 Tony Bennett, the eminent stylist whose devotion to classic American songs and knack for creating new standards graced a decadeslong career that brought him admirers from Frank Sinatra to Lady Gaga, died Friday. He was 96.
Publicist Sylvia Weiner confirmed Bennett鈥檚 death to The Associated Press, saying he died in New York. There was no specific cause, but Bennett was diagnosed with Alzheimer鈥檚 disease in 2016.
Bennett often said his lifelong ambition was to create 鈥渁 hit catalog rather than hit records,鈥 which he accomplished through more than 70 albums, garnering 19 Grammys 鈥 all but two after he reached his 60s. If his singing and public life lacked the emotional drama of Sinatra鈥檚, Bennett appealed with an easy, courtly manner and an uncommonly rich and durable tenor that made him a master of caressing a ballad or brightening an up-tempo number.
鈥淚 enjoy entertaining the audience, making them forget their problems,鈥 he told the AP in 2006. 鈥淚 think people ... are touched if they hear something that鈥檚 sincere and honest and maybe has a little sense of humor. ... I just like to make people feel good when I perform.鈥
Bennett received many accolades from fellow singers, but none so meaningful than when his friend and mentor Sinatra said in a 1965 Life magazine interview: 鈥淔or my money, Tony Bennett is the best singer in the business. He excites me when I watch him. He moves me. He鈥檚 the singer who gets across what the composer has in mind, and probably a little more.鈥
In 2014, at age 88, Bennett broke his own record as the oldest living performer with a No. 1 album on the Billboard 200 chart for 鈥淐heek to Cheek,鈥 his collaboration with Lady Gaga. Three years earlier, he topped the charts with 鈥淒uets II,鈥 featuring such contemporary pop stars as Gaga, Carrie Underwood, and Amy Winehouse in her last studio recording.
For Bennett, one of the few performers to move easily between pop and jazz, such collaborations were part of his crusade to expose young audiences to what he called the Great American Songbook.
鈥淣o country has given the world such great music,鈥 Bennett said in a 2015 interview with Downbeat Magazine. 鈥淐ole Porter, Irving Berlin, George Gershwin, Jerome Kern. Those songs will never die.鈥
Ironically, it was two unknowns, George Cory and Douglass Cross, who provided Bennett with his signature song when his career was in a lull. They gave Bennett鈥檚 musical director, pianist Ralph Sharon, some sheet music he forgot about until he was packing for a tour that included a stop in San Francisco.
鈥淩alph saw some sheet music in his shirt drawer ... and on top of the pile was a song called 鈥業 Left My Heart In San Francisco.鈥 Ralph thought it would be good material for San Francisco,鈥 Bennett said. 鈥淲e were rehearsing and the bartender in the club in Little Rock, Arkansas, said, 鈥業f you record that song, I鈥檓 going to be the first to buy it.鈥欌
Released in 1962 as a B-side, it became a grassroots phenomenon, staying on the charts for more than two years and earning Bennett his first two Grammys, including record of the year.
At times, Bennett struggled with recording companies for the right to sing the music he loved, but he refused to compromise by singing 鈥渃heap songs鈥 that pandered to the latest musical fad. That approach served him well in a career that saw him become one of the only artists to have albums chart for seven decades.
After turning 60, Bennett could have accepted lucrative offers for extended runs performing old hit for older fans. Instead, his son and manager, Danny, found creative ways to market the singer to the MTV Generation without compromising his musical integrity.
鈥淚 wanted to be able to bring my music to as many people as possible, regardless of their age,鈥 the singer wrote in his 1998 autobiography 鈥淭he Good Life.鈥 鈥淚 wanted to be one of the keepers of the flame when it came to great music. I knew that if I brought the best songs and the best orchestrations to people, they鈥檇 respond to it, because great music transcends generations.鈥
He appeared on 鈥淟ate Night With David Letterman鈥 and was a celebrity guest artist on 鈥淭he Simpsons.鈥 He wore a black T-shirt and sun glasses as a presenter with the Red Hot Chili Peppers at the 1993 MTV Music Video Awards, and his own video of 鈥淪teppin鈥 Out With My Baby鈥 ended up on MTV鈥檚 hip 鈥淏uzz Bin.鈥
That led to an offer in 1994 to do an episode of 鈥淢TV Unplugged鈥 with special guests Elvis Costello and k.d. lang. The resulting album won two Grammys, including album of the year.
Bennett would go on to win Grammys for his tributes to great female vocalists (鈥淗ere鈥檚 to the Ladies鈥), Billie Holiday (鈥淭ony Bennett on Holiday鈥), and Duke Ellington (鈥淏ennett Sings Ellington 鈥 Hot & Cool鈥). He also won Grammys for his collaborations with other singers: 鈥淧layin鈥 With My Friends 鈥 Bennett Sings the Blues,鈥 and his Louis Armstrong tribute, 鈥淎 Wonderful World鈥 with lang, the first full album he had ever recorded with another singer.
It culminated with 鈥淒uets: An American Classic鈥 in 2006 celebrating his 80th birthday. Barbra Streisand, James Taylor, Paul McCartney and Stevie Wonder were among those who recorded with him in his preferred manner 鈥 face-to-face in the studio.
鈥淭hey鈥檙e all giants in the industry, and all of a sudden they鈥檙e saying to me you鈥檙e the master,鈥 Bennett told the AP in 2006.
Bennett may have sung about San Francisco, but his heart belonged to Astoria, the working-class community in the New York borough of Queens, where he grew up as Anthony Dominick Benedetto during the Great Depression. The singer chose his old neighborhood as the site for the 鈥淔ame鈥-style public high school, the Frank Sinatra School of the Arts, that he and his third wife, Susan Crow Benedetto, helped found in 2001.
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Gans, the principal writer of this obituary, is a former Associated Press journalist. AP 春色直播 Writer Hillel Italie contributed to this story.
